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There is a breakdown in meaning, as the mind attempts to understand the reality of this. It still remains there but no longer in the form that it once was. It exists on the border of life and death. However, psychologically, Kristeva argues that being exposed to a corpse provides a dilemma, as it is the manifestation of something that used to be alive but is not anymore. On a basic level, this reaction is the body’s natural rejection of the image of a corps due to evolutionary reasons (fear of disease etc.).
#Julia kristeva powers of horror series
For instance, during a confrontation with a dead body, one may undergo a series of emotions ranging from disgust to fear. On a fundamental level, the abject can be understood as “the human reaction (horror, vomit) to a threatened breakdown in meaning caused by the loss of the distinction between subject and object or between self and other” (Felluga). While her approach highlights the use of abjection in literature, the theory is rooted in philosophy and psychology, which makes it applicable to cultural analysis. Her theory of abjection attempts to explain what gives rise to horror and disgust in human beings and the reasoning behind it. In 1982, Bulgarian-French philosopher Julia Kristeva wrote Powers of Horror, an essay on abjection.